About the class
In this intensive workshop you will learn the how-to behind the fascinating cyanotype printing process. I will demonstrate how to prepare your paper and make and process prints. I will also share tips for getting the best results, share some cyanotype history and will bring my portfolio to share. Price includes all materials to make a few of prints in the workshop and you will go home with additional coated paper to expose, a hake brush, a sheet of 11″x14″ plexiglass with backing, clips and a supplier list so you can continue to make prints after the workshop. I will provide objects and flowers/leaves to print with but you are also welcome to bring your own flowers, leaves and other objects.
You need not bring anything except maybe a drink and snack to sustain you! If you know of someone who would like to take this class, please pass this email along to them.
Questions? Please get in touch with me by email. You can also call or text me 978-505-1591.
Looking forward to teaching you about the fascinating process!
Susan Murie
Susan Murie Cyanotypes
Influenced by New England architecture, culture, colors and texture; Lane creates dimensional paintings that elaborate on our everyday interior environments and sidewalk experiences. The work is recognized, visually, as a colorful and urban marriage of both painting and sculpture. Lane’s process is based primarily in the combination of industrial and traditional painting material. Her abandonment of conventional painting method and strong sense of collage build a visual meant for a quirky and abstractly recognizable experience for her viewer.
Stephanie Todhunter started working on the latchkey kids in 2014. The backbone of the series is an ongoing succession of plaster encased vintage dolls, each re-colored and re-named. The plaster encased girls (reminiscent of Han Solo encased in carbonite) begin as vintage Dawn dolls from the 1970s. These dolls were only made for a brief amount of time and generally only remembered by the GenX generation. Dawn dolls are smaller than Barbies and, although they have exaggerated waspish waists and perky breasts, are “tweenish” in age. They were small, generic, easy to carry and easy to lose.
Constructing his work from discarded ephemera: cereal boxes, flooring remnants, and leftover gift wrap, MacLelland’s Boston and Cape Cod based mixed media studio practice is eco-conscious. His palette is dominated by saturated colors that echo the brightly painted buoys that bob atop the ebb and flow of ocean waves,
Amantha Tsaros’ paintings are a reaction to the current culture of extreme bullying and persistent vitriol. Tsaros aims to trample darkness with love, joy, and optimism. Each painting is a celebration, a mixture of colors and shapes that express happiness or resilience. Her palette is reminiscent of a favorite childhood candy store stocked with candy buttons, sweet and sour hearts, candied almonds and licorice. The bold colors of jelly beans and the bright lollipop-greens and oranges express a lighthearted, hopeful challenge to the dark blacks and grays.
